Galerie's forward-facing approach may call to mind a timeless phrase familiar to any jazzhead: The Shape of Jazz to Come. Ornette Coleman's 1959 opus re-configured traditional notions of harmonic structure, it's title and content serving as both a blueprint and open question for progressive music's future. With Dupuis' reverent but revolutionary project, that answer is no longer in the past or on the horizon; it's here.
