Employing a vast array of advanced vocal and instrumental techniques, Broken Gargoyles is arguably Diamanda Galás' most intellectually, sonically and viscerally formidable work to date. The album finds the visionary artist deftly probing the weaving, warping transformation on the nervous systems of her post-traumatic soldiers and dying diseased. The album's first part, "Mutilatus," contains the GeorgHeym poems "Das Fieberspital" and "Die Dämonen der Stadt," and concerns the suffering of the soldier in the trenches and during innumerable operations in the hospital.
